Written by Daniel C. Timmer |
Tuesday, October 29, 2024
When Zephaniah describes how God supernaturally transforms human hearts and turns their desires to him, the prophet consistently integrates the relational, behavioral, and internal dimensions of this change. Those who holistically embrace his will pursue righteousness (v. 3), unity (3:9), proper worship (vv. 9–10), and humility (2:3; 3:11). In the end, God’s saving work will completely remove the pride that motivated his people’s rebellion (3:11) along with their corrupt desires that produced sinful words and deeds (v. 13).

Apart from Zephaniah’s depiction of God’s exuberant joy over his redeemed people (3:17) that John Piper has popularized in his preaching, the book of Zephaniah hasn’t received the attention it merits. This neglect is unwarranted not only because the prophecy is God’s Word but because Zephaniah’s bold, broad, and beautiful presentation of God at the center of redemptive history makes his book as relevant to contemporary readers as it was to its initial audience.
The prophet’s presentation of sin and its remedy is particularly potent. Zephaniah’s message moves far beyond predictions of judgment against the sins prevalent in Judah in the late seventh century BC. It also presents glorious salvation promises of salvation and the superlative restoration of God’s repentant people (vv. 14–17).
Three facets of the book’s message capture this redemptive movement.
1. Sin and Its Consequences
Zephaniah’s diagnosis of the world’s fundamental problem is bold. The book begins with a blunt announcement that God will meet humanity’s rebellion with the direst consequences imaginable (1:3). And more immediately, Zephaniah makes clear that due to Babylon’s rise and the predations of Judah’s neighbors, severe judgment is no idle threat; it’s standing at the door.
In his first chapter, Zephaniah emphasizes Judah’s violations of the first commandment as the grounds for God’s judgment (vv. 4–6). Rather than trusting that God would protect and preserve his people when they remained faithful to him, Judah responded to geopolitical threats by attempting to ensure its stability and success outside the boundaries of the covenant: by looking to other nations for help. Many in Judah assumed God would do neither good nor ill in response to this sinful autonomy (v. 12). They’d turned God into an abstract idea with no relevance for their daily lives or for the future. But this way of thinking and living was tragically mistaken.
God refutes Judah’s rebellion in absolute terms, weaving announcements of judgment into the litany of Judah’s sins (vv. 4–13). Then, Zephaniah 1 culminates in the foreboding day of the Lord that’ll bring the irreversible destruction of sinners worldwide (vv. 14–18). Contrary to the mistaken belief of many Judeans, divine justice will bring their imagined self-sufficiency and immunity from the covenant crashing down on their heads.
Zephaniah’s uncompromising and unflattering evaluation of humanity at large, and of God’s old covenant people in particular, reminds believers they must take their sins seriously and practice repentance habitually. Zephaniah’s message also refutes visions of justice and liberty that look to social or political efforts to bring the transcendent change only God’s saving power can deliver.
2. Grace and Repentance
In light of these dire threats, it’s surprising that Zephaniah offers hope in the very next section (2:1–3). But God’s immense patience makes a way for rebellious Judah to escape his punishment. Zephaniah calls the people to repentance, and his call is uncompromising. It demands a radical reorientation of the heart, for the Lord to be made absolutely central by the “humble of the land, who do his just commands.”
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Where lawful authorities are not submitted to nor honor shown to those to whom it is due, or when those in such positions abuse and misuse that which God has given, no blessing can be expected. In fact, the Bible and experience shows the disastrous consequences of unruly children, domineering husbands, rebelling citizens, wicked rulers, and selfish shepherds. But there is temporal blessing and prosperity promised to the household, church, and society where the fifth commandment is obeyed.

“Honor your father and your mother.” This command is part of that perfect law that is holy, righteous, and good because it is a reflection of the one who himself is those things. It was once engraved on the tablets of stone, was exemplified in the life of Jesus, and it is now written on the heart of believers by the ministry of the Holy Spirit and affirmed by Apostolic authority. This command convicts, restrains, and directs the Christian life.
The fifth commandment is the first of what is often called the second table of the law. When Jesus was asked which was the great commandment he answered: “You shall love the Lord your God with all your heart and with all your soul and with all your mind. This is the great and first commandment. And a second is like it: You shall love your neighbor as yourself” (Matthew 22:27-39). Love to God and love to neighbor are the two parts of God’s unchanging law. In the division of the Ten Commandments the first four teach us our duty to God and the last six our duty to neighbor. The priority is given to the first table as the greatest and out of a love and service to God we are to love one another. Love to neighbor consists, in part, in giving “honor to whom honor is owed” (Romans 13:7).
The fifth commandment establishes that by God’s design and order there are positions of honor and authority. After all, a part of what it means for children to honor their parents is obedience: “Children, obey your parents in everything, for this pleases the Lord” (Colossians 3:20). But the authorities that God has established are not autonomous, boundless, or lawless. Rather, they are derived and contingent upon the authority of God: “For there is no authority except from God, and those that exist have been instituted by God” (Romans 13:1).
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A beautiful church is not something that is only reserved for centuries-old mainline denominations, or congregations with resources to spare. Instead, a beautiful church can be a powerful witness to the community, connect us with the traditions of our ancient and sufficient faith, remind us of the beauty of God and his provision, and shape our spiritual formation week-in and week-out. Beauty in the church should not be an afterthought, but instead a key consideration as we design the spaces we worship our magnificent and glorious God in.

In the last few decades, American churches have gotten a new look—but don’t call it a facelift. Instead, think of it more as a toning-down, as church exteriors have ridden themselves of their steeples and other religious symbols, while their interiors can look more at home as a warehouse-turned-music-venue than a sacred space. American evangelical churches are increasingly taking on a more bare-bones and utilitarian look, often in order to save resources and better attract the unchurched. But is this bare-bones look really what churches should be aiming for? The history of church architecture, research, and our faith suggest otherwise, as beautiful sacred spaces provide powerful opportunities for witness and worship.
The History Of Church Architecture
The history of church architecture doesn’t quite align with Christian history, as churches got their start in homes, thanks to it being largely illegal or unpopular for much of its first few centuries. But once Emperor Theodosius made Christianity the state religion in 381, church architecture took off. Early churches took inspiration from Jewish and Roman architecture, though not their temples—neither Roman nor Jewish temples contained space for a gathering of people to worship, instead allowing only one or two people at a time to petition or offer up sacrifices. Instead, Christian churches mimicked Roman basilicas, which were large public spaces featuring aisles and halls that could fit a crowd.
As the centuries marched on, Christianity spread and had resources to spare, and its architecture became more cutting-edge and meticulously crafted. Churches were soon showing off building techniques that existed nowhere else, like adding a dome on top of a polygonal structure.
The Gothic architecture of the early second millennia continued this trend, as clergy, patrons and builders built taller and taller churches that seemed to reach towards the heavens. Gothic churches often featured cross-shaped floor plans and used lines of windows along the top of their walls to bounce light around and create a sense of mysticism and the Divine.
But with this greater architectural complexity also came greater separation of the public from the sacraments and the word of God. Later churches of the Middle Ages were sometimes made up of two rooms—one space would be for the public to sit in and engage in private devotion, while the other space would be for the clergy and the choir to recite Mass and partake in the sacraments. Often, the two rooms were separated by a screen, severely limiting the congregation’s ability to engage with and see the worship service.
These excesses, among other things, brought along the Reformation, which fundamentally reshaped church architecture. Protestant worship spaces were marked with an absence of saints, screens and iconography, instead preferring to minimize excess ornamentation and the distance between the clergy and their people. (Meanwhile, as a reaction to this split, Baroque-era Catholic churches only increased in decadence, at least for a time.)
Church Architecture in America
As Christianity entered the New World, its churches began to follow the architectural trends of its era, soon taking on the rational and restrained Neoclassical style in the age of Enlightenment. This eventually gave way to the Gothic Revival style, which celebrated the ‘high-church’ look as the Second Great Awakening was taking over the nation and seeding small country churches.
The 20th-century brought with it Victorian churches, Craftsman churches, and even Modernist churches, each demonstrating the architectural preferences of its time. But throughout each of these movements and trends, many things remained the same about American churches—almost all featured steeples, sloped roofs, exterior ornamentation and an overall attention to beauty, even if the buildings now look dated to our 21st-century eyes. But as the midcentury came and went, church architecture underwent a massive shift—suddenly, it was no longer in vogue to look like a church anymore.
Architectural Evangelism
American Christianity in the mid 20th-century was marked by revivalists like Billy Graham and Oral Roberts, bringing people to Christ one soul at a time. But in the ‘70s and ‘80s, the mainstream approach to evangelism changed, as church leaders wanted people to not only be saved, but to enter church life too. Thus the church-growth movement began, which focused more on drawing people into a church and focused less on going out into the community and holding large evangelistic events. And one of the ways churches sought to attract people into them was through architecture—or rather, a lack of it.
The theory was that a church building that looked more like it belonged in a strip mall or shopping center would be more accessible to those from unchurched backgrounds and it wouldn’t carry any of the visual baggage a traditional-looking church might. This approach is called ‘architectural evangelism.’ These types of ‘seeker-friendly’ churches are a dime-a-dozen now, but they can be defined by their use of low-cost materials, their repurposing or repetition of secular spaces, like theaters, warehouses, or storefronts, their boxy shapes, and their use of few or no ecclesiological markers, such a steeple, stained glass, or a cross. (It’s also interesting to note that churches started to act more business-like throughout the 20th-century and needed office spaces for additional staff—perhaps another reason for the move towards strip-mall and office-park-esque churches.)
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