We can follow the example of those who have gone before us. This is how we can pray Psalm 137 today. We call on and plead with God to be faithful to his promises. And we know that all of God’s promises find their Yes and Amen in Jesus (2 Corinthians 1:20). The exiles by the waters of Babylon appealed to God’s Word revealed in Scripture and we do the same today. And we have so much more – we have the Word himself who has revealed the glory of the Father (John 1).

Where were you on May 2, 2011? I was at an Usher concert with a few friends. It was a great concert, and I enjoyed hearing Usher perform several hits from his newest album, Raymond v. Raymond. The concert, though, is not the reason I remember that day. I remember May 2, 2011 because of what happened after the concert. As my friends and I left the venue, we noticed a lot of people excitedly looking at their phones. We assumed they were just reliving the concert we all just experienced. Until, that is, a pick-up truck with a huge American flag in the back drove by and a man shouted from the window, “Osama’s dead! We got him!” On May 2, 2011, Osama bin Laden was killed by U.S. special forces, and people halfway around the world broke out in jubilant shouts.
What was behind that? How did the killing of a stranger thousands of miles away provoke joy and excitement in the parking lot of an Usher concert? To state it succinctly, celebration broke out in that parking lot because the death of bin Laden represented the satisfaction of a communal grief and rage that was occasioned by an act of true evil.
What about Psalm 137? How could a group of people unflinchingly state, “Blessed shall he be who takes your little ones and dashes them against the rock” and then have the audacity to write such a statement down? More to the point, how does a psalm that celebrates little ones dashed against rocks (Ps. 137:9) belong in the same Bible where Jesus says, “Let the little children come to me and do not hinder them, for to such belongs the kingdom of heaven” (Matt. 19:14)? In Psalm 137, the Bible confronts our modern sensibilities and gives us significant pause. The goal of this article is not to sanitize the passage by reading it allegorically, nor is the goal to assert that this passage is an aberration from the biblical witness. Instead, a careful and faithful reading of Psalm 137 leads us to Christ and, in so doing, provides us with the means by which we can engage with evil and suffering in our world today.
The Bible is a strange book. It’s okay to admit that. Psalm 137 was likely written in the 6th century BC in ancient Hebrew. The cultural and historical setting in which Psalm 137 was expressed is far removed from the United States in 2021. And yet, Christians recognize that presiding over the cultural and personal diversity that led to the Bible is a sovereign, powerful, and single Author. When we encounter passages that highlight cultural distance, our first reaction ought to be a humble curiosity.
Where does Psalm 137 fit in the story of history? The first question a humble curiosity asks is one of context. Indeed, context will provide the key to understanding Psalm 137. Where does Psalm 137 sit in history, in the literary story, and in the redemptive story of Scripture? The historical setting of the psalm is apparent in the very first verse:
By the waters of Babylon,there we sat down and wept,when we remembered Zion.
Robert Alter, a professor of Hebrew and comparative literature at the University of California, Berkeley, writes of Psalm 137 that, “This psalm was almost certainly composed shortly after the deportation of the Judahites by the Babylonians in 586 B.C.E.”[1] Psalm 137 is one of the few psalms which makes clear its own historical context. The psalmist writes of the community of exiles sitting down by the waters of Babylon to weep. The city of Babylon and the surrounding country was known at that time for its extensive system of canals. The Jewish exiles likely retreated to different places of this system in order to gather as a community and, as this psalm makes clear, give voice to their grief.
But why grief? These original Jewish singers of this psalm lived through the capture of Jerusalem, the looting and destruction of the Temple, and their forced exile to Babylon. 2 Kings 25 describes the siege of Jerusalem lasting for two years. The siege resulted in a famine so severe that it led to mothers boiling their children for food (Lam. 4:9-10). The king at that time, Zedekiah, was captured. The Babylonians killed his sons in front of him and then put his eyes out so that the last thing he ever saw was the murder of his sons. The Temple was looted and burned down, along with the palace and all the houses of Jerusalem.
Psalm 137, then, is a song of lament. It is a communal expression of grief, an opportunity for the Jewish people to gather and tell the truth of their oppression. Their lament is further occasioned, however, by a more immediate context. In the midst of their weeping, their Babylonian captors goad them on, “Sing us one of your Zion songs.” These Zion songs are scattered throughout the Psalter and scholars have identified several of them. One of them is Psalm 48, which opens with, “Great is the Lord and greatly to be praised in the city of our God! His holy mountain, beautiful in elevation, is the joy of all the earth, Mount Zion, in the far north, the city of the great King. Within her citadels God has made himself known as a fortress.”
Can you imagine the scene Psalm 137 depicts? The people of Judah are gathered along the canals of Babylon, lamenting the death and destruction visited upon them. And then, like taunting schoolboys, their captors jeer at them: “Sing us one of your songs! How about that one that says Zion is the city of the great king? The one that says God has made himself known as a fortress?” A hermeneutic of humble curiosity necessarily entails empathy, particularly since Christians are grafted into the story of Israel. The story of these Jewish exiles in the 6th century BC is our story. We weep with them.
Where does Psalm 137 fit in the literary story of Scripture? History is not the only important context we must examine. The Bible is a book written by one Author through many individual authors. Where does Psalm 137 fit within that picture? Here it is helpful to introduce the idea of a canonical reading of Scripture. In the 19th and 20th centuries, it became popular among scholars to attempt to trace the various sources of the Bible to disparate authors. Instead of recognizing the unity of Scripture, scholars sought to dissect Scripture, particularly the Old Testament. A professor of Old Testament at Yale University changed this with the introduction of the “canonical reading” of the Bible. Brevard Childs asserted that it was most helpful to approach the Bible as it is received by faith communities. In other words, rather than dissecting Scripture into many individual parts, Childs recognized the Bible as a united literary document which deserved study as such. A canonical reading of the Psalms, then, considers questions such as the arrangement of the psalms and how the book functions as a literary whole.
Scholars have generally identified five ‘books’ within the Psalms. Psalm 137 is located in Book V of the Psalter. This final section of the Psalter consists of Psalms 107-150. O. Palmer Robertson describes Book V as “the climactic praises of the consummation of the kingdom” (emphasis in original).[2] Interestingly, the Psalm itself sits within a trio of Psalms that serve as a hinge between two larger collections within the book. Psalms 120-134 are known collectively as the Songs of Ascent.
Read More

We may never know why God brought a particular providence into our lives. But we do not need to know. What we need to know is that God is wise, righteous, and gracious. What we need to remember is that even hard providences work out for the good of those who love Him and are called according to His purpose. 

I can imagine the widow of Nain walking beside the casket of her son, her only son. Her support now gone, she trembles from the aching loss and the fear of insecurity. Or think of Jairus. His daughter near death, his only aim in life was to bring Jesus to her bedside. But before that happy meeting could occur, she was gone. Scripture is succinct. Its descriptions are concise. The widow wept and Jairus was obviously ready to fear. The responses are not uncommon. We perhaps know them well.
But is there help for those who suffer a difficult providence? It may surprise some to discover that the chapter on providence in the Westminster Confession of Faith provides pastoral guidance for those who encounter difficulty along the way, and it is a wonderful word to those who have ears to hear. But before the balm can be applied the Divines are eager to help us answer one simple question, how far does the providence of God extend? (WCF 5.4)  The answer may unsettle the reader, however that is by design. By telling us that the providence of God extends to the first fall “and all other sins of angels and men” we are being told that nothing, whether good or ill, escapes God’s sovereign appointment.  But how does that help?
First, in section five, we are reminded of God’s character. Notice the way God is described: he is wise, righteous, and gracious. This is the first thing a person who endures a difficult providence must be told. Why? Because he may infer that God resembles his hard experience.  Such is not the case.
Read More
Related Posts:

Rufo ends this revealing article with the smart and hopeful observation that such deception will ultimately reveal itself, as great evil always does. “When parents, voters, and political leaders understand the true nature of Drag Queen Story Hour and the ideology that drives it, they will work quickly to restore the limits that have been temporarily – and recklessly – abandoned.” Thankfully, members of Congress have introduced an important bill to stop our tax dollars from going to these truly dangerous events in schools and community libraries. This is a very good first step.

We have all heard of Drag Queen Story Hour being featured in public and school libraries across the nation and wondered why any sensible librarian, regardless of their politics, would ever say to her or himself, “Yes, men dressed as cartoonish women dancing provocatively is exactly what we should provide for the young patrons of our library!”
That question is even more disturbing when one digs into the true intentions of those who founded and are pushing Drag Queen Story Hour (DQSH) around our nation and the world. That is exactly what Christopher F. Rufo, a senior fellow at the Manhattan Institute, did in a very important exposé in the most recent issue of City Journal. (He also published an abridged version at Foxnews.com)
Rufo explains, “The drag queen might appear as a comic figure, but he carries an utterly serious message: the deconstruction of sex, the reconstruction of child sexuality, and the subversion of middle-class family life.”
He adds, “By excavating the foundations of this ideology and sifting through the literature of its activists, parents and citizens can finally understand the new sexual politics and formulate a strategy for resisting it.”
And resist it we must!
DQSH is certainly not harmless fun, nor is it “family friendly” as its promoters happily claim. Rufo uncovers a much darker, sinister story, “The ideology that drives this movement was born in the sex dungeons of San Francisco and incubated in the academy.”
What is now manifesting itself in our children’s innocence started in the academic and wholly subversive, unscientific bowels of “queer theory.” It celebrates any and everything that challenges and overturns the fundamental human reality of what male and female are and how they both come together to create the family and the next generation of humanity through marriage and the family.
Rufo meticulously details the poisonous contribution of these academic theorists, but his article becomes most interesting to Daily Citizen readers when he explores the very recent writings of the founders and promoters of Drag Queen Story Hour itself, as drag went from an aberrant undercurrent in society to “good old-fashioned, glamorous American fun” with the likes of prime-time cable entertainers like RuPaul. Rufo explains, “Television producers packaged this new form of drag as reality programming, softening the image of the drag queen and assimilating the genre into mass media and consumer culture.”
This created an opportunity in which a “genderqueer” college professor and drag queen named Harris Kornstein, aka, Lil Miss Hot Mess, began to exploit.
Read More
Related Posts: