To the world beyond America’s gangs and liberal newsrooms, the New York Times is blatantly racist. And its woke racism is just as cruel as the racism it was designed to replace.

The New York Times has dropped the ball again, in their incomplete reporting on the murder of an Italian in New York. Unbridled political correctness has resulted in censorship of the facts surrounding the crime. This is neither justice nor journalism.
Why is it so difficult for American journalists to simply tell the truth?
Earlier this month, a 30-year-old Italian researcher studying at New York’s Columbia University was brutally murdered by a member of a notorious African-American gang.
Vicious Attacks
Davide Giri, a visiting scholar, was stabbed to death in an Upper Manhattan park by Vincent Pinkney, a reputed gang member of the group “Everybody Killa” who had a decade-long rap sheet including at least 11 arrests.
Records show that Pinkney has enjoyed light sentences despite his involvement in multiple violent crimes stretching back to 2012. At the time of his arrest, he was already a wanted suspect in a previous assault.
Giri’s stabbing murder in New York was chillingly captured on surveillance video. It was the first part of a 20-minute rampage in which Pinkney wounded another Italian man and then attempted to attack a couple in nearby Central Park.
Complete Censorship
In a long-repeating pattern that was most notoriously displayed after the recent Waukesha massacre, Pinkney’s ethnicity, gang connections and criminal history were buried by corporate outlets.
The New York Times dedicated some 900 words to the story, but chose to run it on page 16 and provided only Pinkney’s name and age, despite the public availability of all other relevant information about him.
Italy’s leading newspaper, the centrist Corriere della Sera, was seething in its criticism of the New York Times last week.
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The eighteenth-century British philosopher and statesman Edmund Burke, in speaking of the sublime, identified it as “astonishment,” that is the “state of the soul, in which all its motions are suspended, with some degree of horror. In this case the mind is so entirely filled with its object, that it cannot entertain any other.” And, for illustration, he pointed to the ocean, which can be “an object of no small terror.” [1]

Featured in Thirty-Six Views of Mount Fuji, this woodblock print captures the peril of three fishing boats tossed by a rogue wave in Sagami Bay, twenty-five miles southwest of Tokyo. In the year this painting appeared, 1831, another great outdoor painter, John James Audubon, traveled from England to New York to begin his work on Birds in America; Meanwhile, over in Europe, the Impressionist artists, Monet and Renoir were still children, but they would one day be influenced by Hokusai’s work.
There is much beauty in nature, but aestheticians have identified an experience that goes beyond savoring a sunset, delighting in a blanketing snowfall, or taking in the fall colors of New England. They speak of “the sublime,” that which is intimidatingly splendid. It’s kin to a word occurring five times Psalm 24:7-10—‘glory,’ as in “the King of glory.” The Hebrew word for ‘glory’ is kabod, a cognate of kebed (“heavy”); it connotes substance and heft, the sort of awesome presence that terrified Isaiah in his chapter six. Painfully aware of his deplorable weakness, the prophet feared being “crushed” by the sovereign holiness of God.
The eighteenth-century British philosopher and statesman Edmund Burke, in speaking of the sublime, identified it as “astonishment,” that is the “state of the soul, in which all its motions are suspended, with some degree of horror. In this case the mind is so entirely filled with its object, that it cannot entertain any other.” And, for illustration, he pointed to the ocean, which can be “an object of no small terror.” [1]
In his Critique of Judgment, Immanuel Kant supplied other examples of the sublime:
Bold, overhanging, and, as it were, threatening rocks, thunderclouds piled up the vault of heaven, borne along with flashes and peals, volcanoes in all their violence of destruction, hurricanes leaving desolation in their track, the boundless ocean rising with rebellious force, the high waterfall of some mighty river, and the like, make our power of resistance of trifling moment in comparison with their might.[2]
And so we’re pointed to the oceans, whose water covers around seventy per cent of the earth and whose dynamics are quite sublime, as Hokusai knew full well.
This painting hails from the Far East, in contrast with the other three, which are Western. I include it to underscore the gospel implications for lands unknown to (even unsuspected by) the Israelites in David’s day. Though Psalm 24 is Hebrew scripture delivered to God’s chosen people, its reach circles the globe. As Augustine observed of Psalm 24:1-2, “This is true, for the Lord, now glorified, is preached to all nations to bring them to faith, and the whole world thus becomes his church.” [3]
The Domes of the Yosemite (1867), Albert Bierstadt, The Athenaeum, St. Johnsbury, Vermont

Psalm 24:1-2 – 1The earth is the Lord’s, and the fulness thereof; the world, and they that dwell therein. 2 For he hath founded it upon the seas, and established it upon the floods.
Bierstadt, an eighteenth-century German-American painter was remarkable for his glorious landscapes, as were other Americans of the Hudson River School—Frederick Church, Asher Durand, George Inness, Thomas Cole, Thomas Moran, and Thomas Cole.  Whether working in the Hudson Valley, the Sierra Nevadas, Yellowstone, or the Andes, these men astonished their viewers with breathtaking portrayals of God’s handiwork. Bierstadt introduced many to the Rockies, helped spur the conservation movement, and has been featured on two of America’s commemorative stamps.
This painting portrays California’s Yosemite Valley, granted protection under Abraham Lincoln in 1864 and designated a National Park in 1890.
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Written by Jesse T. Jackson |
Thursday, September 23, 2021
A professor from the University of Dubuque Theological Seminary, Christopher B. James, gave his thoughts as to why he believes the trend of pastors leaving ministry is occurring. James said, “In addition to being a hard job with mediocre pay, many pastors don’t think it’s worth it to try to maintain dying churches and are curious what Christian life & leadership might look like outside the clergy role. It’s part of a wider unraveling and reconfiguration of church.” White replied to Prof. James, “I think you’re on to something.”

High numbers of pastors leaving ministry are an an exodus that’s concerning to pastors‘ coach and co-founder Dan White Jr. of The KINEO Center, a place focused on offering healing for tired and traumatized leaders. On May 3, 2021, White posted on Twitter that he knows 28 pastor friends who have resigned this year, most of whom are leaving pastoral ministry altogether. White coaches approximately 70 to 80 pastors a year in his circle of about 500 or so.
Why Are Pastors Leaving Ministry?
White, a former pastor himself, asked “What is occurring?”
It doesn’t seem to be in any particular denomination as White shared that his friends come from a mix of denominations including Baptist, Lutheran, Pentecostal, Anglican, Methodist, Mennonite, and Christian Reformed. Only nine of them were Evangelical pastors and just 10 out of the 28 he mentioned were bi-vocational.
“I’ve been coaching for about 10 years, never seen this kind of disruption.”- Dan White Jr.
White replied to a follower’s question about the average age and lifestyle of those he has seen transitioning out of pastoral ministry, saying in his experience they’ve been between the ages of 35 to 50. Some have served as many as 25 years in the pastoral ministry. “I do think it’s some kind of inner crisis with ‘what are my desires, really?’ coupled with a pain threshold ‘the attacks and loss are just too much; I’m miserable,’” he wrote.
He revealed that about half the 28 pastors he referred to were “People of Color” when someone asked if the majority of those who have left the ministry were African American pastors. He also stated that all of the 28 left by their choice; they weren’t forced out or fired.
A professor from the University of Dubuque Theological Seminary, Christopher B. James, gave his thoughts as to why he believes the trend of pastors leaving ministry is occurring. James said, “In addition to being a hard job with mediocre pay, many pastors don’t think it’s worth it to try to maintain dying churches and are curious what Christian life & leadership might look like outside the clergy role. It’s part of a wider unraveling and reconfiguration of church.” White replied to Prof. James, “I think you’re on to something.”
The active Twitter thread contains a handful of pastors currently in ministry and some who have left the ministry. One pastor told White, “As a minister struggling with whether to stay in parish ministry, I’m so hurt by all the replies that blame clergy for quitting. I’ve given my life to the Church, asked my family to sacrifice & ended up with my a** kicked. American church is broken.”
A former pastor of 30 years also wrote, “I’m one of those. After 30 years I felt God was calling me out of paid ministry into the marketplace. I’m convinced that many, many pastors have lost the ability to speak the same language of those outside of the church.”
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