Salvation, Past, Present, and Future

Salvation, Past, Present, and Future

Hebrews teaches us never to lose sight of the fact that the priesthood, sacrifices, liturgy and life of the Old Testament church are simply a rough copy. Christ is the original; He is the antitype, the pictures of the Old Testament form the type.

“Time past and time present are both together in time future,” wrote T.S. Elliot. His rhythmic words simply and eloquently describe the ordinary flow of history. But the letter to the Hebrews presents a very different perspective on God’s purposes and patterns in the flow of history. There, it would be true to say, the future determines the past and the present, rather than the other way round. To understand Hebrews — and thus to understand how the Bible as a whole works — we need to understand this riddle: The invisible is more substantial than the visible. The future comes before the past. The new is more fundamental than the old. What does all this mean? Simply put, it means that the story of the Lord Jesus, His person and work, is not a divine afterthought, a heavenly “plan b” hurriedly scrambled together when “plan a” went horribly wrong in Eden. No — the coming of Christ was in the plan before the Fall. Everything that precedes it chronologically actually follows it logically.

From one point of view, of course, the Old Testament serves as the model of what Christ would come to accomplish. But Hebrews teaches us never to lose sight of the fact that the priesthood, sacrifices, liturgy and life of the Old Testament church are simply a rough copy. Christ is the original; He is the antitype, the pictures of the Old Testament form the type.

This principle is given its clearest expression in Hebrews 9:23 which refers to the Old Testament tabernacle, priesthood and sacrifices as “the copies of the heavenly things.” Yet more picturesquely, Hebrews 10:1 describes the law as “but a shadow of the good things to come.” Copies depend on an original; a shadow does not exist apart from the person whose shadow it is and from whom it takes its shape.

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